| Front matter | 1 | 
            
              | Table of Contents | 6 | 
            
              | Preface: Zum Geleit | 7 | 
            
              | Article: Des claviers au son fort et prolongé, expressif et timbré | 9 | 
            
              | Article: Giovanni Ferrini e il suo cembalo "a penne e a martelletti" | 13 | 
            
              | Article: Historische Hammerflügel mit Cristofori-Mechanik - Anmerkungen zu Konstruktion und Klang | 33 | 
            
              | Article: Alcune considerazioni sui fortepiani di Gottfried Silbermann esistenti e la loro analogia costruttiva con i cembali rimasti del suo allievo Philip Jacob Specken | 43 | 
            
              | Article: The importance of the Tangentenflügel to the development of the German piano | 55 | 
            
              | Article: The Pantalon - and what it tells us | 63 | 
            
              | Article: Les premiers pianoforte français | 89 | 
            
              | Article: The combination of the harpsichord and the piano in the eighteenth century | 113 | 
            
              | Article: The art of musical rhetoric in Haydn's keyboard music | 153 | 
            
              | Article: Chopin et les pianos Pleyel | 161 | 
            
              | Article: Hammerkopfleder - ein Beitrag zu seiner Geschichte und Herstellung | 175 | 
            
              | Article: Fortepiano hammers; A field report | 225 | 
            
              | Article: Reproduction of authentic historical soft iron wire for musical instruments | 259 | 
            
              | Article: Beyond Pythagoras : ancient techniques for designing musical instrument scales | 273 | 
            
              | Article: Three round table discussions - summary | 305 | 
            
              | Index: Glossario italiano / inglese / tedesco / francese | 311 | 
            
              | Index: Biographie des auteurs | 317 | 
            
              | Back matter | 321 |