Front matter
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Table of Contents
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Preface: General editor's preface
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Article: Introduction
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Article: Modernity : the troubled trope
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21
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Article: The efficiency of images : educational effectiveness and the modernity of motion pictures
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41
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Article: Body rebuilding : tracing the body at the dawn of the cybernatic age
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61
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Article: Hitler goes pop : totalitarianism, avant-garde aesthetics and Hollywood entertainment
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85
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Article: Promotion vs. suppression : intermedial relationships between early narrative film and its fan magazine fictionizations
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105
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Article: I am a camera : the development of Christopher Isherwood's Goodbye to Berlin across stage, screen and time
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119
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Article: The poetics of the avant-garde : modernist poetry and visual arts
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137
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Article: Presenting the real : hopperesque Updike in "In Football Season" (1962)
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153
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Article: The cinema and modernist innovation : serial representation and cinematic immediacy effects in Gertrude Stein's early portraits
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169
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Article: Picturing the depression : ambivalent politics of representation in FSA photography
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185
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Article: Haptic close-ups and montage : surrealist desire in Erich von Stroheim's Greed and Luis Buñuel's Un chien andalou
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197
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Article: Time- and space-montage in Mrs. Dalloway and The Hours
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209
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Article: Pathetic copycats : female victimhood and visuality in melodramatic films
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225
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Article: Making the "Monstrous" visible? : Reading "difference" in contemporary fantastic film and television
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239
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Rubric: Notes of contributors
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255
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Index: Index of names
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261
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Back matter
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