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Front matter
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Table of Contents
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V
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Preface: Vorwort
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VII
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Rubric: [Corelli als Modell : Studien zum 300. Todestag von Arcangelo Corelli (1653-1713)]
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13
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Article: Exemplary architecture in Corelli's Rome : old models, new models, non-models
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13
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Article: The development of a model : Rome as a resonance space for Corelli's work
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35
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Article: "Composed for the academy [...] of Cardinal Ottoboni" : exploring the implications behind music and patronage in Corelli's op. 4
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53
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Article: Contrapuntally crafted, harmonically eloquent : Corelli's sonatas and the compositional process in the late 17th century
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73
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Article: Was hat Corelli in der None gefunden?
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89
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Article: "Se il divin Corelli imparerai" : didaktische Anregungen zum Partimento-Studium
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105
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Article: "... in numero di centocinquanta" : the orchestra in the age of Corelli
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137
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Article: "Curling graces" and "vermin" : problems with the ornaments for Corelli's op. 5
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179
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Article: Deconstructing Corelli's bass violin
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193
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Article: Stylistic influences of Arcangelo Corelli's music on the Neapolitan violin sonata repertory
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211
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Article: From south to north and from the centre out : Corelli's reception in 18th-century Switzerland
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237
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Article: Performing Corelli in the 19th century
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265
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Afterword: Abstracts
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289
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Index: Die Autorinnen und Autoren
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301
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Index: Liste der bibliographischen Abkürzungen
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305
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