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Kunstmaterial

Kunstmaterial Band 4 (2017)
Heading Page
Titelseiten
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Inhaltsverzeichnis
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Vorwort Preface and Acknowledements
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6
Artikel Tempera: on the history of a technical term
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10
Artikel The use of tempera by painters and restorers in Italy and Latin Europe, c. 1800-1870
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24
Artikel From wall to canvas: the role of tempera in the develpment of mural and easel painting in Germany in the 19th century
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39
Artikel Ernst Berger and his role in the Munich tempera controversy
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56
Artikel Evidence for wax tempera binding media in Italian technical literature of the first half of the 20th century
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71
Artikel The Pereira tempera system
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85
Artikel Tempera paints in italy in the first half of the 20th century, with a special focus on 'tempera grassa' by Maimeri
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118
Artikel Photographic layer and paint layer: approaches to tempera beyond tradition
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138
Artikel A tabulated listing of industrially produced tempera paints, c. 1900
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147
Artikel Layered and alla prima: some examples of tempera painting techniques, 1850-1914
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166
Artikel Analysis of complex tempera binding media combining chromatographic techniques, fluorescent staining for proteins and FTIR-FPA imaging
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183
Artikel The role of reconstructions in the identification of a wax/resin/gum tempera binder developed by Hermann Urban in 1901 and used by Cuno Amiet in 1902
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205
Bibliographie Bibliography
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228
Register Photo credits
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250
Register Index of persons and institutions
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251
Rubrik Contributor biographies
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259